The tune in the end, is a direct take on the lines ''Koi Nahin Paas.'' in Ali Haider's Zara sa Pyaar. The keyboard notes at the start of ''Separation'' has also been taken, I tried to locate the theme specifically, could not, but I do remember the musical notes exactly(My guess is one of Yanni's numbers). Tunes have also (in my opinion) have been taken from Ali Haider's Sandesha-Album (Side B, Song: Zara Sa Pyar). When I find it I will edit this review and add.
Some of the tunes, like ''Main Aisa Kyoon'' is directly taken from an english song, I cannot locate it however I try to remember that one. I am surprised Farhaan havent opposed this. Second, ''inspired'' tunes are numerous in this album. Shankar Mahadevan has been extensively trained in South Indian classical music, and I can see how that influences his style. Look for this situation in the song Kitni Baatein, in the anupallavi (second paragraph).
This is not necessarily bad, but lyrics ought to flow in their own context. Another thing I noticed is that there is an unquestionable ''South'' flavor while rendering Hindi To represent what I am talking about, readers are directed to the following songs: Nayak-Chidiya Tu Hoti To Kabhi Na Kabhi: Tu Hi Tu. You speed up, then apply brakes hard when you see the traffic lights turn red. Their style imparts pace, but it seems almost like you are driving through the heavy traffic in a city. However, what I notice about their music is that in many places, it does not flow well. They have used several different instruments to create an ambience far from the usual, and worth listening. Shankar-Ehsaan-Loy (SEL)'s music is undoubtedly different.Īlmost everyone attests to the distinctiveness of their style. As usual, I would like to start with some general musings on the album as a whole. I will restrict my comments to the Music.
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Several movie magazines have called it the most awaited event in Bollywood for 2004. For all the film and music lovers, Lakshya is a long awaited movie and album.